Seeing Baya

"Self-taught Algerian artist Baya Mahieddine has been getting more attention than ever, and her personal story is part of the reason we can’t get enough of her. While her art is vibrant and eludes easy characterization, her story is the stuff of legend in our biography-obsessed age. . . . If you think this is enticing, then you’ll love this volume that tells her story, which intersects with what feels like every sphere of French intellectual life in the 20th century." * Hyperallergic *
“The Algerian artist Baya found fame at just 16, when her colourful paintings and clay models caught the eye of a French dealer, who invited her to exhibit in Paris in 1947. The first biography of this enigmatic figure tells her story in evocative prose.” * Apollo *
"In the story of Baya Mahieddine, Alice Kaplan sees into the difficulty of vision across cultures and across time. How did Baya, celebrated as a child genius in Paris in 1947, see the French people who took her up? How did they see her? Kaplan reads into Baya’s gloriously colorful art a record of intimate life as well as the fury and complexity of the Algerian War for Independence. A delicate and intensely moving tale, and a tribute to a powerful artist."
  -- Rosanna Warren, author of Max Jacob: A Life in Art and Letters
"Part biography, part microhistory, and part reverie, Alice Kaplan’s Seeing Baya reveals a whole world in the story of one forgotten woman. By turning the lens on Baya Mahieddine, a talented Algerian painter of humble origins who made her way into the salons of Paris and the pages of Vogue magazine, Kaplan shows that 'seeing Baya' is seeing the true power of art—its pleasure and its promise. Against the backdrop of France’s brutal colonial assault on Algeria, Kaplan recreates in painstaking detail the life and times of an artist finding her own voice, and her own life, despite the odds. An accomplished historian, Kaplan brings to this book her signature rigorous research and beautiful pen. The result, much like Baya’s canvases, is an utter delight." 
  -- James McAuley, author of The House of Fragile Things
"At the Maeght gallery in Paris, on the twenty-first of November, 1947, a fifteen-year-old child prodigy named Baya revealed her astonishing mastery of an intensely colored and patterned artistic universe. Generations of Algerians, myself included, have felt close to Baya’s work, yet we have never really understood the courage and talent of a painter and sculptor whose beginnings were so dazzling. In a captivating quest, meticulous, tender, and careful to preserve Baya’s intimate secrets, Alice Kaplan guides us in the discovery of the beginnings of a very great artist."
  -- Hajar Bali, playwright and novelist
"The myth of Baya Mahieddine, an Algerian maid-turned-artist who burst on the Paris scene at the age of 15, attracting the admiration of everyone from André Breton to Pablo Picasso, is so compelling that it has overshadowed the life of the artist herself. Thanks to Alice Kaplan, one of our most perceptive chroniclers of French culture, we can now see the woman behind the myth, precisely because Kaplan respects the multiplicity—and the mysteries—of her elusive subject, whose paintings have been variously praised as a modernist and 'primitive,' surrealist and traditionalist. Seeing Baya is a study not only of her radiant art, but of the twilight of Algérie française, written with the qualities we've come to expect from Kaplan: sophistication, delicacy, and a deeply affecting humanism."
  -- Adam Shatz, author of "The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon"
"Alice Kaplan has brilliantly understood Baya, Algeria’s mid-twentieth century child-genius painter. An ordinary art history would be insufficient, because Baya is not just about the powerfully designed paintings she made, but also about the many stories that have been told around her, some of them colonialist, sexist, or condescendingly adult. Kaplan weaves these existing accounts into one tale with consummate empathy and skill. She constantly acknowledges the biases of her sources, yet in so doing manages to create one narrative which is truer than any of its parts. Behind Kaplan’s fluid, concise, engrossing, perfectly paced biography hover the most subtle, sophisticated academic theories about colonial history, racialized identities, and gender.  This is critical fabulation at its literary best: a reconstruction of the past which counteracts history’s erasures with both archival accuracy and personal imagination. The beauty of Kaplan's prose is itself the highest possible tribute to Baya's art."
  -- Anne Higonnet, author of Liberty Equality Fashion: The Women Who Styled the French Revolution
“In this riveting account of the teenage Algerian girl who took the postwar Paris art world by storm, Alice Kaplan illuminates the complex tangle of characters and motivations that created a phenomenon. Richly insightful, powerfully relevant, Kaplan’s Seeing Baya unsettles and exhilarates in equal measure.”
  -- Claire Messud, author of This Strange Eventful History