The Orange Tree

"Li’s method of blurring the distinction between singular and plural is in perpetual service to the book’s tone, one I can best describe as strange, mournful, and obliquely beautiful. . . . Li is a sure-footed guide. The Orange Tree avoids the affective pitfalls of both the memoir and the chronicle, replacing the nostalgia of the former with a clipped aloofness, and countering the roteness of the latter with an insistent, unflinching imagism. . . . Li’s poems introduce the reader to a way of seeing that is not unlike his own approach to history, a reconciliation of individual and collective scales. With unsentimental conviction rather than didacticism, The Orange Tree restores dignity to those whose lives and deaths were forgotten, or worse, remembered falsely, turned into propaganda, patronized, or pitied. The stories of these lost ones may lack a preexisting language, but that does not mean they are untellable; no matter how faded a photograph is, our minds will still fill in the outlines." * Los Angeles Review of Books *
"What Li, the recipient of the inaugural Phoenix Emerging Poet Book Prize, does in his first collection is combine the excruciatingly personal with an essential oral history of China. The poet compounds words into feelings so readily familiar that by reading them one is immediately transposed to a different place and into a story. . . . The Orange Tree is, simply put, transformative." * Booklist starred review *
"Dong Li’s debut collection is tenderly premised around the multiplicity of language. With a translator’s precision and an ethnographer’s comprehensiveness, The Orange Tree narrates generations of a family’s 20th-century history." * Harriet Books *
"The Orange Tree is lyrical and narrative, familial, political, and legendary." * New Books Network *
"To read The Orange Tree is to witness the families and voices living through Li’s touch on the page." * Annulet *
"They’re narrative poems and you may think they’re about fruit, but they’re so many things—about war, surveillance, migration, family history, pain, and pleasure, all intertwined. It is a book of revelation." -- Cynthia Greenlee * Zocalo Public Square *
"This is an interesting book of poems . . . Narrative propels the poems forward, generally, but there’s an occasional strangeness that rattles my ear. I also love poems that rely heavily on imagery." -- Victoria Chang * Kenyon Review, "2023 Summer Reading Recommendations" *
"Complex, enigmatic, but undeniably compelling in its ephemeral images and bold creative choices. . . Li’s poetry resists any straightforward interpretation. Instead, it encourages the reader to explore its numerous possibilities and the emotive force that drives its images. The poetry moves beyond a recounting of history and charges its scenes with an ethereal quality, giving Li’s words a transcendental effect." * The Harvard Crimson *
Thoughtful, funny, and deeply interested in what connects us with those around us (literature, plants, poetry, silence), Li is a writer who sees language as a way to call our loved ones back to life. In his debut poetry collection The Orange Tree . . . Li creates a new lexicon of memory. Language, like the past, does not follow a straight line . . . . Li’s work is as experimental as it is true to the rhythm of the human emotional psyche, and his reworking of oral and self-created histories defines him as not just a poet, but as a brilliant taxonomist of human desire." * Cleveland Review of Books *
"Dong Li astonishes . . . The Orange Tree, a splendid volume of poetry, tells a sad tale but its language soothes the sorrow . . . and unlocks worlds . . . this collection of loosely narrated long poems distills stories into brutal individual destinies . . . 'Is death the only family.' as one poem remarkably ends . . . and on the next page, another poem whispers: 'Pluck / The / Pipa / The / Great / Wall / Of / Grief / Will / Fall' and sets out to uphold the primal function of literature . . . this uncompromising work shows a promising beginning…and we are transported in its words . . ." * Süddeutsche Zeitung (translated from German) *
"The way familial, cultural, and national history unfolds in The Orange Tree leads to a deeper appreciation of language and loss. Li’s English combines the translator’s alertness to the complexities of language with the transnational poet’s varied lexicon." * The Harvard Review *
“The Orange Tree is a remarkable, powerful book of innovative lyric that recaptures the horrors of contemporary Chinese history by use of personal and collective memory—along with the memory of rivers, blossoms, fruit, and flesh. Li seeks and invents a language of grief that meanders, exquisitely and unflinchingly, across family lineage, historical violence, and trauma as he channels the lives of those who have met unspeakable atrocities. Li, a multilingual, transnational poet and translator, is a time traveler of our endlessly violent world.” -- Don Mee Choi, author of "DMZ Colony," winner of the National Book Award
“The Orange Tree is a polyphonic, kinetic, book-length poem that is at once lyrical, historical, and deeply personal. With his dynamic leaps, Li takes us down the long river of modern Chinese history as it shapes the lives of one family and his imagination. His elegant phrases and crystal images probe the traumatic space between self and world. An inventive first book with fresh music.” -- Peter Balakian, author of "Ozone Journal," winner of the Pulitzer Prize
“The Orange Tree is a sui generis book of exigent, raw, brutal, and intimate poems. We’ll forget neither their rhythms nor their effects, the tense, staccato sentencing, the Chinese waymarks, the vertical typography, or the evocative, metaphorical kennings. Li braids fragmented histories, fable, biography, and dream into a startlingly potent art. His formally restless lines suddenly waylay us, penetrating so deeply we hesitate to look up. And as we discover, their gravity holds us back from casually moving on.” -- Forrest Gander, author of "Be With," winner of the Pulitzer Prize
“Is poetry possible after the particular atrocities of World War II? This book inverts Adorno’s well-known question and asks instead, ‘Is war possible after such poetry?’ The answer is ominous—where we are now, our reading of the world affirms that daily. The other thing that recommends Li’s book is the language. On the page is the physical act of Chinese being converted to English and vice versa—a conversion, more than a translation, it is electrifying.” -- Wong May, author of "Picasso’s Tears: Poems 1978–2013," winner of the Windham-Campbell Prize