Occult Aesthetics

This insightful book explores the intricate relationship between sound and image in film, particularly how synchronization creates a unique aesthetic experience. Occult Aesthetics offers a fresh perspective.

In Occult Aesthetics, Kevin Donnelly delves into an often-neglected aspect of audiovisual culture that plays a significant role in the illusions created by film. He posits that the musical qualities of a film's soundtrack can reveal an underlying occult psychology that connects sound and image. This connection, while esoteric, can be fragile and easily disrupted, making it a fascinating subject for exploration. The author offers a comprehensive theorization of synchronization in sound film, shedding light on how the relationship between audio and visual elements creates a perceptible synergy.

Donnelly introduces the term 'occult' to describe this aesthetic effect, emphasizing its secretive nature that can dissipate when one becomes aware of it. Drawing from notable theories of sound by influential figures like Sergei Eisenstein and Michel Chion, the book examines synchronization as a form of repose, offering comfort in an otherwise overwhelming sensory environment. Conversely, when sound and image fail to synchronize, it can create a sense of discomfort for viewers, signaling potential danger.

Through this lens, Occult Aesthetics presents a new framework for understanding audio-visual interactions, discussing both theoretical and historical perspectives. The analysis is enriched by references to a diverse array of films, including classics like Singin' in the Rain and more contemporary works like Saw and Assault on Precinct 13, making this book a valuable resource for anyone interested in the intricate dynamics of film soundtracks and their impact on cinematic experience.