The Oxford Handbook of Early Modern Theatre

This comprehensive collection of essays examines the theatrical landscape of Shakespeare's time, addressing social, political, and economic influences, as well as practical aspects of performance, including the roles of actors and women.

The Oxford Handbook of Early Modern Theatre presents a thorough exploration of the theatrical environment in which Shakespeare and his contemporaries operated. An international team of scholars delves into the various social, political, and economic factors that influenced actors and playing companies from the 1570s to 1642. The book emphasizes that there was no singular Elizabethan stage, as actors navigated a diverse landscape of performance venues, including inns, country houses, and purpose-built theatres, all while vying for patronage and profit.

The essays within this collection highlight the practical aspects of theatrical production during this period. Topics such as script acquisition, rehearsal processes, lighting, music, and the use of props are examined alongside the unique challenges posed by an all-male acting environment. The role of women, although limited, is also considered within the context of this male-dominated world. The contributors shed light on how playing companies adapted to changing circumstances, including the opposition from City of London authorities and the rise of court performances under James I.

In addition to these historical insights, the book encourages readers to reflect on the methodologies of theatre history itself. By questioning existing philosophical assumptions and evaluating the evidence available—from stage directions in playbooks to visual records—the collection invites a reevaluation of the Tudor-Stuart theatrical landscape. Overall, The Oxford Handbook of Early Modern Theatre serves as a valuable resource for understanding the complexities of early modern performance and the enduring legacy of the plays produced during this vibrant era.