The Invention of Suspicion
Law and Mimesis in Shakespeare and Renaissance Drama
Format:Hardback
Publisher:Oxford University Press
Published:13th Dec '07
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- Paperback£51.00(9780199691487)
The Invention of Suspicion argues that the English justice system underwent changes in the sixteenth century that, because of the system's participatory nature, had a widespread effect and a decisive impact on the development of English Renaissance drama. These changes gradually made evidence evaluation a popular skill: justices of peace and juries were increasingly required to weigh up the probabilities of competing narratives of facts. At precisely the same time, English dramatists were absorbing, from Latin legal rhetoric and from Latin comedy, poetic strategies that enabled them to make their plays more persuasively realistic, more 'probable'. The result of this enormously rich conjunction of popular legal culture and ancient forensic rhetoric was a drama in which dramatis personae habitually gather evidence and 'invent' arguments of suspicion and conjecture about one another, thus prompting us, as readers and audience, to reconstruct this 'evidence' as stories of characters' private histories and inner lives. In this drama, people act in uncertainty, inferring one another's motives and testing evidence for their conclusions. As well as offering an overarching account of how changes in juridical epistemology relate to post-Reformation drama, this book examines comic dramatic writing associated with the Inns of Court in the overlooked decades of the 1560s and 70s. It argues that these experiments constituted an influential sub-genre, assimilating the structures of Roman comedy to current civic and political concerns with the administration of justice. This sub-genre's impact may be seen in Shakespeare's early experiments in revenge tragedy, history play and romance comedy, in Titus Andronicus, Henry VI and The Comedy of Errors , as well as Jonson's Every Man in his Humour, Bartholomew Fair and The Alchemist. The book ranges from mid-fifteenth century drama, through sixteenth century interludes to the drama of the 1590s and 1600s. It draws on recent research by legal historians, and on a range of legal-historical sources in print and manuscript.
a superbly conceived and executed book, offering new insights into the complex relationships that determined the character of legal and dramatic literature in early modern England. * Modern Philology *
Hutson's is a major work that will influence scholarship in a number of disciplines. * Anthony DiMatteo, College Literature *
...an innovative examination of the intersections between legal culture and the drama of Renaissance England...This ambitious study is thus an important intervention in debates about politics, law, and, of course, theatre. Futhermore, the original interpretation that it offers of a range of Shakespeare's plays means that it will be of interest to a wide audience. * Edel Lamb MLR *
...this deeply researched and engaging book stands as an important contribution to the study of the many fascinating relationships between law and literature in the Renaissance. * Harry Keyishian, Renaissance Quarterly *
Lorna Hutson's book is an innovative examination of the intersections between legal culture and the drama of Renaissance England * MLR *
Hutson's wide-ranging study addresses Elizabethan literary developments of great interest. * B. J. Sokol, The Review of English Stuides *
...essential reading for every serious student of Renaissance drama. * Frances E. Dolan, The Huntington Library Quarterly *
an ingenious, original, thoroughly researched study * Peter Holbrook, Times Literary Supplement *
- Winner of Winner of the Roland Bainton Prize in Literature for 2008.
ISBN: 9780199212439
Dimensions: 242mm x 163mm x 28mm
Weight: 731g
392 pages