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Myths of the Underworld in Contemporary Culture

The Backward Gaze

Judith Fletcher author

Format:Hardback

Publisher:Oxford University Press

Published:25th Apr '19

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Myths of the Underworld in Contemporary Culture cover

Myths of the Underworld in Contemporary Culture: The Backward Gaze examines a series of twentieth and twenty-first century fictional works that adapt Greco-Roman myths of the catabasis, the heroic journey to the underworld. Covering a range of genres - including novels, comics, and children's culture, by authors such as Elena Ferrante, Salman Rushdie, Neil Gaiman, A. S. Byatt, Toni Morrison, and Anne Patchett - it reveals how an enduring fascination with life after death, and fantasies of accessing the world of the dead while we are still alive, manifest themselves in myriad and varied re-imaginings of the ancient descent myth. The volume begins with a detailed overview of the use of the myth by ancient authors such as Homer, Aristophanes, Vergil, and Ovid, before exploring the ways in which the narrative of a return trip to Hades by Odysseus, Aeneas, Orpheus, and Persephone can be manipulated by contemporary storytellers to fit themes of social marginality and alterity, postmodern rebellion, the position of female authors in the literary canon, and the dislocation endured by refugees, exiles, and diasporic populations. It also argues that citations of classical underworld stories can disrupt and challenge the literary canon by using media - such as comic books, children's culture, or rock music - not conventionally associated with high culture.

As Fletcher acknowledges, the underworld descent is 'a myth that has seemingly infinite possibilities for adaptation'; this absorbing and original study tackles an impressive range of those adaptations. * Emma Bridges and Henry Stead, Greece & Rome *
In this lucid monograph, Fletcher (history and ancient studies, Wilfrid Laurier Univ.) looks at how aspects of four canonic catabatic texts-the Odyssey, the Homeric Hymn to Demeter (Persephone), and Vergil's Aeneid, and Fourth Georgic (Orpheus and Eurydice)-have been adapted, and often subverted, by the contemporary discourses of postmodernism, feminism, and postcolonialism. ... Highly Recommended * G. Grieve-Carlson, CHOICE *
The book succeeds in its aim to show first how we are all obsessed with death and what happens to us in death, proving that one of the powerful vehicles for that unresolvable obsession comes in the underworld journey * Paul Chrystal, Classics for All *

ISBN: 9780198767091

Dimensions: 222mm x 144mm x 18mm

Weight: 424g

238 pages