Shakespeare's Universal Wolf
Studies in Early Modern Reification
Format:Hardback
Publisher:Oxford University Press
Published:24th Oct '96
Currently unavailable, and unfortunately no date known when it will be back
Shakespeare was neither a Royalist defender of order and hierarchy nor a consistently radical champion of social equality, but rather simultaneously radical and conservative as a critic of emerging forms of modernity. Hugh Grady argues that Shakespeare's social criticism in fact often parallels that of critics of modernity from our own Postmodernist era, that the broad analysis of modernity produced by Marx, Horkheimer and Adorno, Foucault, and others can serve as a productive enabling representation and critique of the emerging modernity represented by the image in Troilus and Cressida of `an universal wolf' of appetite, power, and will. The readings of Troilus and Cressida, Othello, King Lear, and As You Like It in Shakespeare's Universal Wolf demonstrate Shakespeare's keen interest in what twentieth-century theory has called `reification' - a term which designates social systems created by human societies but which confronts those societies as operating beyond human control, according to an autonomous `systems' logic - in nascent mercantile capitalism, in power-oriented Machiavellian politics, and in the scientistic, value-free rationality which Horkheimer and Adorno call `instrumental reason'.
Grady admirably seeks to restore the criticism of the past fifteen years to its political beginnings. * John Michael Archer, Shakespeare Quarterly *
ISBN: 9780198130048
Dimensions: 224mm x 145mm x 19mm
Weight: 459g
252 pages