Becoming George

'I, the poet William Yeats, | With old mill boards and sea-green slates, | And smithy work from the Gort forge, | Restored this tower for my wife George; | And may these characters remain | When all is ruin once again.' With this lovely six-line poem, W. B. Yeats dedicated the renovation of Thoor Ballylee to his wife. But the poem's truth conceals another, and different truth - that they worked together at the restoration, and it was largely her vision and hands that created a dwelling from the former ruins. Just how symbolic this is, of the close but largely hidden collaboration between them, is revealed by this deeply-researched life of George Yeats - the first full-scale biography of a woman of remarkable gifts and generous self-concealment. Raised in the decades before the First War, in London literary salons where the arts and occult met, Georgie Hyde Lees became an art student, accomplished linguist, and serious scholar of medieval arcana, anthroposophy, and astrology. She was a lifelong friend of Ezra Pound and his wife Dorothy Shakespear, in whose social circle Yeats also moved; he sponsored her initiation to the Order of the Golden Dawn. In 1917 they married (she was 25, he 52), and on their honeymoon Georgie began the automatic writing which formed the substance of A Vision, and from which sprang the ideas that occupied Yeats for the rest of his life. Her 'extrasensory' perceptions fed his poetic imagery as her practicality and warmth supplied the environment for his writing. As with the restoration of Ballylee, they were intimate collaborators - but her instinct was always for self-effacement. Though valued by numerous writer-friends (among them Lennox Robinson, Thomas McGreevy, and Frank O'Connor) as a perceptive critic - and known to have written two plays and a novel, which she suppressed - she deliberately hid her talents from public view. Her choice was to appear as Yeats's wife, helpmeet, and secretary, the mother of his children - and for thirty years after his death the tireless overseer of his literary legacy and a knowledgeable adviser to generations of younger critics and writers. For the first time, this intelligent and creative woman is allowed to take centre stage. Drawing on memoirs and a...