Screening the Posthuman

This insightful exploration examines twenty-first-century films through the lens of posthumanism, revealing new narratives about humanity's relationship with technology and nature in Screening the Posthuman.

In recent years, technological, ecological, and cultural shifts have significantly altered our understanding of the relationship between humans and the more-than-human world. Screening the Posthuman delves into this complex landscape by examining a diverse array of twenty-first-century films that utilize the concept of the 'posthuman' to engage with these transformations. By analyzing films such as Kûki ningyô [Air Doll], Testrol és lélekrol [On Body and Soul], and Nomadland, the book illustrates how the posthuman narrative extends beyond the confines of science fiction, permeating various genres and cultural contexts.

The exploration in Screening the Posthuman reveals how contemporary cinema reflects humanity's intricate connections with biological, technological, and social realms. Through this lens, the book uncovers new understandings of subjectivity, community, and desire, emphasizing the entanglement of human existence with broader ecological and technological systems. By showcasing these films, the author highlights the significance of the posthuman figure in contemporary storytelling.

Drawing on critical posthumanist theory, Screening the Posthuman serves as a pioneering examination of how these ideas manifest in film. The work advocates for a nuanced critique that moves away from both humanist nostalgia and transhumanist idealism, focusing instead on the complexities and challenges posed by posthuman experiences. This systematic approach positions the book as an essential resource for understanding the evolving narratives surrounding humanity in the age of rapid change.