The Hearing Eye

This collection explores the significant yet overlooked connections between jazz, blues, and African American visual art, particularly in The Hearing Eye.

In The Hearing Eye, the intricate relationship between African American visual art and the musical genres of jazz and blues is thoroughly examined. This groundbreaking collection brings together scholarly essays, artist interviews, and a wealth of illustrations to highlight an aesthetic dialogue that has often been overlooked by both art historians and music critics. The book argues for the recognition of jazz and blues not only as influential cultural forces but also as vital components of artistic expression, shaping the work of numerous contemporary artists.

Moving beyond the iconic representations of musical figures in Harlem Renaissance art, The Hearing Eye delves into more subtle and nuanced references to these musical genres. It features in-depth analyses of prominent painters such as Rose Piper, Norman Lewis, and Jean-Michel Basquiat, alongside discussions on early blues advertising art and the evocative photography of Roy DeCarava. These essays are enriched by interviews conducted by Graham Lock, who engages with artists like Michael Cummings and Sam Middleton about their musical inspirations, while also exploring the reciprocal influence of visual art on music.

With a combination of scholarly research and personal narratives, The Hearing Eye serves as a vital resource for understanding the dynamic interplay between visual art and music within the African American experience. The inclusion of numerous illustrations both in the book and on its companion website further enhances the reader's experience, making the case for a deeper appreciation of this vibrant artistic crossroad.