The Lives of Others

Masterful … His fierce intelligence and sophisticated storytelling combine to produce an unforgettable portrait of one family riven by the forces of history and their own desires. -- Patrick Flanery * Daily Telegraph *
Rich and engrossing … Consistently vivid and well realised, it confidently covers a great deal of varied social terrain. … Unfailingly interesting -- Theo Tait * Sunday Times *
Very ambitious and very successful. … One of Mukherjee's great gifts is precisely his capacity to imagine the lives of others. … Neel Mukherjee terrifies and delights us simultaneously -- A S Byatt * Guardian *
Deeply affecting and ambitious ... In startling imagery that sears itself into the mind, The Lives of Others excellently exposes the gulf between rich and poor, young and old, tradition and modernity, us and them, showing how acts of empathy are urgently needed to bridge the divides. -- Anita Sethi * Observer *
Neel Mukherjee has written an outstanding novel: compelling, compassionate and complex, vivid, musical and fierce. * Rose Tremain *
Full of acute, often uncomfortable and angry, observations, The Lives of Others is a picture of a family in all its disunity, and beyond it a city and country, on the brink of disaster. * The Times *
A Seth-ian narrative feastwith dishes to spare ... a graphic reminder that the bourgeois Indian culture western readers so readily idealize is sustained at terrible human cost -- Patrick Gale * Independent *
Expansive and often brilliant… Mukherjee spares the reader nothing…yet his command of storytelling is so astounding, he draws the reader into places they would prefer not to look -- Claire Allfree * Metro *
The writing is unfailingly beautiful … Resembles a tone poem in its dazzling orchestration of the crescendo of domestic racket. His eye is as acute as his ear: the physicality of people and objects is delineated with a hyper-aesthetic vividness …. -- Jane Shilling * New Statesman *
Neel Mukherjee has given us a picture of India that cuts through history, social classes and regions but centers on a nouveau pauvre family. Every scene is rendered with a Tolstoyan clarity and compassion. * Edmund White *