Midnight Rooms

"Coles’s prose is evocative and strange and pairs brilliantly with the Gothic tropes she expertly deploys. This is a fever dream of a novel that readers won’t want to wake up from." — Publishers Weekly (starred review) "An immersive horror fairy tale marrying Crimson Peak to Pan's Labyrinth upon strange foundations. You're never really safe here, with Midnight Rooms wondrously defying expectations and refusing obedience. Donyae Coles leads us into a house of sinister magic, full of corners for peeking around, but careful—these walls have claws. A feverish, labyrinthine debut." — Hailey Piper, Bram Stoker Award-winning author of Queen of Teeth “An overwhelming sense of unease and rich atmosphere practically drip from every page in this disquieting and equally compelling debut novel from a new, devastatingly original voice in speculative fiction. In Midnight Rooms, Donyae Coles has crafted a superb and intricately layered fever dream that I continue to think about long after having closed the book.” — Eric LaRocca, author of Things Have Gotten Worse Since We Last Spoke “A hallucinatory Gothic nightmare, at once beautiful, cruel, and feral.” — Eden Royce, award-winning author of Root Magic "Midnight Rooms is a gorgeous and heady take on the classic Gothic romance. Coles' deftly crafted heroine, Orabella, takes us along for a sweet and heavy fever dream of horror, with dark magic looming around every crumbling corner. A compelling story that won’t let go—this is everything I wanted.” — Laurel Hightower, author of Crossroads and Below "Shadows dance in the corridors in Korringhill Manor and a family with secrets awaits in this decadent Gothic fairy tale. Donyae Coles' Midnight Rooms is a lush and shimmering, hallucinatory nightmare. . . captivating, potent and lyrical.” — Cynthia Pelayo, Bram Stoker Award-winning author of Crime Scene "Coles turns the typical fairy tale upside down and inside out and back again. The novel shifts to something like a fever dream, as Orabella's visions of her life in the manor dissolve inside what seems to be a 'court of fairies and monsters.' Therein lies the confusion of Midnight Rooms, and in it, a dark mystery unravelling across its pages--what is Orabella's imagination, and what is real?. . . With vivid and gory detail, Midnight Rooms is a genre-spanning work of history and horror, fantasy and fairy tale, that pulses with a dark energy from start to unsettling finish."  — Shelf Awareness “The writing style and common tropes that fans have come to expect are all here—the decaying house, ever-shifting hallways, odd family gatherings, and a deadly, inherited curse….Coles’s novel is another stellar example of how marginalized voices are taking a perennially popular genre, previously dominated by white characters and authors, and revitalizing it for 21st-century readers in a manner that honors its history but injects brand-new terrors” — Library Journal “Midnight Rooms is a wonder—a rich and textured novel with the heart of a macabre fairy tale. Coles’ story is no less ominous, labyrinthine, and dark than the Gothic castle in which it takes place.”  — Neal Auch, artist and author of Disassembly of the Pig "Nothing is as it seems. A gorgeous, rich, and claustrophobic gothic horror-mance that reads like a fever dream. This is a novel to be savored.”  — Nino Cipri, Astoria Bookshop, Queens, New York